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Violeta Garcia turns cello, space and repetition into something hypnotic on In/Out. Split cleanly across the two sides, it plays like a single long-form work, moving from inward drone and bow pressure toward a more open, exposed second half.SIDE ONE:1. In (part 1)2. In (part 2)3. In (part 3)4. In (part 4)SIDE TWO:1. Out (part 1)2. Out (part 2)3. Out (part 3)4. Out (part 4)
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